Why does this matter? In October 1976, a woman born in 1965 would have been just . This has led to decades of speculation and myth-making among collectors. However, the truth is less scandalous and more commercially ingenious.
Instead of the standard velvet-draped studio, the “Classe del 1965” pictorial was shot on location in a decaying villa on the outskirts of Rome. The models—whose names were deliberately withheld to protect their identities in conservative small towns—were photographed in natural light, wearing simple cotton lingerie, linen shirts, and little else.
But what makes this particular issue so special? Why do auction listings for this magazine routinely demand prices ten times higher than other issues from the same era? And what does “Classe del 1965” (Class of 1965) mean in the context of October 1976?
Playboy had launched its Italian edition in 1972, published by Editoriale 70 under license from HMH Publishing. Unlike the relatively straightforward American version, the Italian Playboy had to navigate the strict censorship laws of the time, often hiding nudity behind translucent inserts or relying on artistic, surreal photography to bypass obscenity laws.
The centerfold and supporting pictorials featured models who were all, authentically, born in 1965. This was a rarity in an era when many magazines relied on studio models in their late 20s and 30s. The raw, natural look of the “Classe del 1965” models—less made-up, more girl-next-door—struck a powerful chord with Italian men who were tired of the heavily airbrushed, cinematic glamour of the early 70s. The work featured in this issue is distinct. The photographer, widely believed to be the legendary Italian fashion shooter Mario Dondero (though unsigned in some copies), employed a neorealist style.