As Run and D.M.C. once barked: "You can't forget that, so don't forget that..."
| Element | Function | | :--- | :--- | | | Nevins did not re-sing or over-process Run and D.M.C.'s voices. He let their aggressive delivery cut through the mix. | | The "Stutter" Effect | The chopped "like that" created a call-and-response between the past (the vocal) and the present (the edit). | | Mid-90s Filter Sweeps | The use of low-pass filters (borrowed from French touch) gave the track a "breathing" dynamic, perfect for peak-time clubs. | | Bassline Simplicity | A single, rubbery synth note dropped on every beat—monstrous on a proper sound system. | RUN DMC- Jason Nevins - It-s Like That -Raxon E...
Search YouTube, SoundCloud, or Beatport for "RUN DMC Jason Nevins Raxon," and you will find a handful of low-fidelity, often slightly sped-up edits of the Nevins remix. These are typically labeled as "It's Like That (Raxon Re-Work)" or "Raxon E… Edit." But who is Raxon? Raxon (real name likely Raxon E. Mercado or simply a mononym) is a techno DJ/producer from the Dominican Republic, currently signed to labels like Drumcode (Adam Beyer’s label) and Terminal M (Monika Kruse’s label). He is known for driving, hypnotic techno with Latin percussion underpinnings. As Run and D
Given the fragmented nature of the keyword (specifically the trailing "Raxon E..."), this article will address the most likely intent: the history of the iconic remix of It's Like That , as well as a deep-dive into the possible connection to Raxon (a modern techno DJ/producer) and how this track fits into the broader ecosystem of electronic music edits, bootlegs, and reworks. | | The "Stutter" Effect | The chopped